The photographer’s idea is no more to prove or to denounce, but to show. He maintains a sort of silence, of neutral report and detachment. Yves Gellie works at bringing out the implicit beyond what he’s showing, at revealing the intimate in a public or collective scene. In truth, he is part of this fringe where the invisible arises from the visible; he explores the ambiguous relation between a photograph and reality and experiments the fictional power of an image. Isabelle Bernard